{"id":994,"date":"2009-08-21T22:18:20","date_gmt":"2009-08-21T20:18:20","guid":{"rendered":"http:\/\/hinternet.de\/blog\/?p=994"},"modified":"2025-09-10T03:42:27","modified_gmt":"2025-09-10T01:42:27","slug":"presseschau-21-august-2009","status":"publish","type":"post","link":"https:\/\/hinternet.de\/blog\/2009\/08\/presseschau-21-august-2009\/","title":{"rendered":"Presseschau 21. August 2009"},"content":{"rendered":"

Flei\u00dfarbeit: Die Pitchfork<\/em>-Mitarbeiter w\u00e4hlen \u2191die Top 500 Tracks<\/a> unseres Jahrtausends.<\/p>\n

\u2191Wilde Party am Rande der gro\u00dfen Leere<\/a> – die Junge Welt<\/em> erinnert an die Band Flipper<\/strong>.<\/p>\n

FAZ <\/em>-CD der Woche: Zoot Woman<\/strong> – \u2191Eine Band macht ernst.<\/a><\/p>\n

Und auch die Zeit <\/em>bloggt \u00fcber Zoot Woman<\/strong>: \u2191Vom Maler zum Anstreicher<\/a><\/p>\n

Busted Headphones: \u2191Hip-Hop Marketing in the Digital Era<\/a><\/p>\n

The independent record store lives another day. But how long can the vinyl lifeline continue to keep them afloat? \u2191Vinyl Dependent: The Needle and the Damage Done<\/a><\/strong><\/p>\n

Die BBC <\/em>spricht mit Clint Boon<\/strong> von den Inspiral Carpets<\/strong> \u00fcber die <\/strong>\u2191Sounds of 1989<\/a><\/p>\n

Teil 5 in PopMatters<\/em> Geschichte des Casablanca<\/strong>-Labels: \u2191Defining the Legacy<\/a> und ein Artikel \u00fcber die unbekannteren Gr\u00f6\u00dfen des Labels: \u2191Curatorial Casablanca<\/strong><\/a><\/p>\n

independent.ie<\/em> \u00fcber die anstehende Solo-CD von Dolores O’Riordan<\/strong>: \u2191Taking the strain<\/a><\/p>\n

Simian Mobile Disco<\/strong> – \u2191Standing out the way of control<\/a><\/p>\n

Das Wall Street Journal<\/em> \u00fcber \u2191A Richard Thompson Retrospective<\/a><\/p>\n

Spinner-Band of the Week: <\/span>\u2191The Twilight Sad<\/span><\/a><\/p>\n

The most important of the early post-punk hits. <\/em>Story of the song \u00fcber Siouxsie & the Banshees<\/strong>‚ \u2191„Hong Kong Garden“ (1978)<\/a><\/p>\n

Legal Downloads:<\/h3>\n

\u2191Daytrotter-Session<\/a> mit Barcelona<\/p>\n","protected":false},"excerpt":{"rendered":"

Flei\u00dfarbeit: Die Pitchfork-Mitarbeiter w\u00e4hlen \u2191die Top 500 Tracks unseres Jahrtausends. \u2191Wilde Party am Rande der gro\u00dfen Leere – die Junge Welt erinnert an die Band Flipper. FAZ -CD der Woche: Zoot Woman – \u2191Eine Band macht ernst. Und auch die Zeit bloggt \u00fcber Zoot Woman: \u2191Vom Maler zum Anstreicher<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ub_ctt_via":"","footnotes":""},"categories":[12],"tags":[],"class_list":["post-994","post","type-post","status-publish","format-standard","hentry","category-musik"],"featured_image_src":null,"author_info":{"display_name":"mitty","author_link":"https:\/\/hinternet.de\/blog\/author\/walt_mitty\/"},"_links":{"self":[{"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/posts\/994","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/comments?post=994"}],"version-history":[{"count":0,"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/posts\/994\/revisions"}],"wp:attachment":[{"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/media?parent=994"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/categories?post=994"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/hinternet.de\/blog\/wp-json\/wp\/v2\/tags?post=994"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}